Agent Tina Wexler on 6 1/2 Ways to Impress a Literary Agent

1. Write a really amazing query. Which is to say: take your time, try describing your work multiple ways until you find the best approach, read successful queries online and have as many people as possible read yours so that you’re certain it makes sense and is a shiny apple.

Tina Wexler, an agent at ICM, is predominately
interested in middle grade/YA fiction and adult
nonfiction. Tina currently serves on the board of
the Rutgers University Council on Children's
Literature and is an active member of SCBWI.

2. Demonstrate knowledge of an agent's list. This doesn’t mean you have to read every book they’ve ever sold—I leave that job to my mom—but by showing them you know a bit about who they represent, you’re telling agents you’ve done your research on who to query.

3. Do your research on who to query. Period.

4. Write a really amazing manuscript. Which is to say: take your time, put your work through multiple revisions, read published works in your genre, and consider joining a critique group or finding a writing partner whom you trust who can help make your manuscript a shiny apple.

5. Be nice. Agents, like most everyone, want to work with people who are personable. This does not, however, mean “Fawn over the agent” or “Send a bushel of apples to the agent.”

6. Don’t ask me, “Why all the talk about apples?” because if you’ve read my client Donna Gephart's How to Survive Middle School, you already know it’s because I'm constantly daydreaming about Bubbe’s Jewish Apple Cake. But do ask other questions you may have. Be a part of the conversation. Agents want critical thinkers who take this getting-published thing seriously.

6 ½. Take this getting-published thing seriously. There’s plenty of fun to be had, but remember, this is a business, not a hobby or a get-rich-quick scheme. Agents want hard workers, writers dedicated to their craft who view getting published as the first step of a long journey, writers whom they will want to be with on that journey.

The biggest database of agents anywhere is
the 2011 Guide to Literary Agents.
Buy it here online at a discount.

Ten Changes in Publishing Since 2000

A lot has changed in the writing industry since WritersMarket.com started in 2000 (the same year that my first book, The Highest and The Best, was released). Most of us used dial-up to search the Internet for publishers and agent. Social network wasn't in the English vernacular yet (Facebook didn't even start until 2003)

Here are a few other things that have changed in the past 10 years, according to WritersMarket.com:

1. Many publications and publishers accept electronic submissions, whether via e-mail or online submission forms.
2. More than ever, writers have to brand themselves.
3. Writers must do the work of marketing and promoting themselves to agents, editors, publishers, and--ultimately--readers. (Wondering how? We recommend Get Known Before the Book Deal.)
4. Personal sites and blogs have made it easier than ever for writers to develop an audience.
5. Ad-based print resources (i.e., Magazines and Newspapers) have struggled to adjust to the Internet with new content strategies and pricing models. (Market Watch, exclusively forWritersMarket.com subscribers gives you insight on the latest changes.)
6. Due to the tough economic times, publications are relying more and more on freelancers. (With over 8000 listings, WritersMarket.com can help you find these opportunities.)
7. The proliferation of online content has opened up more opportunities than ever for writers from all backgrounds.
8. There are more online tools than ever to help writers research and write more efficiently and knowledgeably.
9. Social media offers easy and ground-breaking ways to network with publishing professionals, other writers, and potential interviewees. (If you're not already a member, join the Writer's Digest Community. You'll become a part of a supportive and creative community dedicated to the art and craft of writing.)
10. Businesses and organizations now rely on great content to attract new customers, sell products, and spread important messages--the trend of content marketing. (Wonder how much you should charge for this content? The "How Much Should I Charge? Rate Card" gives you answers!)
    

What Writers REALLY Want for Christmas

I’ve had several requests to revive a little Muse You Can Use ditty that I wrote circa the winter solstice in 2003. So here it is, my gift to all of you fabulous writers out there:

12 Days of Writers’ Wishes

In honor of the season (and because “public domain” copyright law permits derivative works, ha, ha), I’m revising the lyrics from “The 12 Days of Christmas” to offer inspiration to those of you who’ve been working with the word this year.

I’ve omitted the “my true love gave to me” portion because we writers know that no one – not even our truest loves – can give us what it takes to inventively emote on the page. That gift comes from within and above.

I’ve also deleted the “days” idea (wow, this looks nothing like the original work!) and replaced each verse with things that writers REALLY want—none of that piping and drumming nonsense. Of what use are milking maids or geese-a-laying anyway, unless you own a cow or have a fetish for large waterfowl?

What remains after all this editing are 12 gifts that I hope you will receive in the coming year, if you so desire!

12 Drummers Drumming = 12 percent (or more) royalties

11 Pipers Piping = 11 hours of heavenly solitude to write, write, write

10 Lords a Leaping = 10 larger-than-life fiction characters leaping off the page, including one bad-ass antagonist and a main character who makes your heart melt

9 Ladies Dancing = 9 muses dancing in your head, rousing your imagination all year long

8 Maids a Milking = milking each of your first-rights-only articles 8 times through serial rights

7 Swans a Swimming = 7 article acceptance notices swimming in your e-box

6 Geese a Laying = 6^th sense about when your project is rightfully “done,” and the patience to keep incubating until it is

5 Golden Rings = 5 testimonials from readers saying how much they enjoyed reading you

4 Calling Birds = 4 call-in talk show offers, at least one in syndication

3 French Hens = 3 AAR literary agents offering representation (I don’t mean to infer that agents are hens)

2 Turtle Doves = 2 editors-in-charge of imprints, cooing for your manuscript (auction!)

A Partridge in a Pear Tree = a screen adaptation and a call from Oprah’s executive producer

HAPPY, HAPPY BLESSED HOLIDAY EVERYONE!

Gina

JULY WRITING WORKSHOPS

Good summer, all,
I've been invited to participate in 2 events in Pittsburgh this month, both which will address writing and publishing:

Publish, Don’t Perish: A Step-by-Step Guide to Getting Published
Women’s Small Business Association Small Business Week
Monday, July 13, 1 p.m.
Season’s Reception and Event Center
Comfort Inn, Pittsburgh East
699 Rodi Road
Pittsburgh, PA 15235
www.WSBA.ws
Be a part of WSBA’s Small Business Week, July 13-17, with great topics to help business owners market and grow their businesses on a budget. My talk will help you assess your writing project, deciding on a publishing venue, and learn how to submit your work to publishers and literary agents. Check out the full week’s topics at the above website.

Writing a Book: From Thought to Publisher
Tuesday, July 21, 3:30 to 4:30 p.m.
Fifth Third Bank, 5834 Forbes Avenue, Squirrel Hill
www.spahrconsulting.com
Join me for an author panel discussion of getting published, part of the Champion’s Series sponsored by Spahr Consulting.